Fear and Loathing at RavenCon 2017

Author Note: This article was lost when my author and editor sites were merged. A big thanks to Yudhanjaya Wijeratne for pointing out the broken link and wanting to read the article in the first place. Now, on to the shenanigans.


Fear and Loathing.jpg

I’m walking through the darkened courtyard of the DoubleTree Hotel in Williamsburg, Virginia, trailing just behind Chris Kennedy. The sun has dropped from the sky, much like my morale after sitting in on a panel where one panelist plugged their book eighteen times. I know this because I kept tally. Eighteen.

Putting this from my mind, I increase my pace and try not to slip on the water-soaked cement. Some kid splashing with a writhing knot of multi-colored pool noodles underneath him shouts up at me from the water, “I bet you didn’t think you’d see someone with seven pool noodles in their trunks!”

jawsIt’s true, kid. I didn’t think I’d see that. Who swims in the dark? That’s how you get eaten by the night sharks who dwell in shallow hotel pools! 

Of course I didn’t say any of that out loud. Careful to not get pulled into an existential conversation about the stuffing of pool noodles into bathing suits with no adult supervision around, I continue following Chris. He is navigating toward a suite being shared by a publishing house. I’m following like a lost puppy.

We’d communicated electronically, but this convention – Ravencon – was my first in-person meeting with him. We had joked about sharing a few beers. Him and I are both Navy vets, so a shared beer is sort of a sacred thing. It seemed Chris was making good on this promise. Unfortunately, the outside door that would give access to the suite is locked, a fatal flaw in his planning.

Undaunted, the quick-witted publisher/author stalks over to the fenced-in balcony where a collection of women puff on cigarettes. It’s the typical metal fencing you see at hotels of this type: waist high, blocky bars, not designed to keep your room from being ransacked, but meant to keep you from passing out and falling into the bushes or wandering into the pool for a final swim.

smoking skull.jpgChris asks the smoke-breathing women if they would mind opening the door to the wing from the inside. Instead, they tell us to jump the fence. Opting for a less acrobatic solution, we squeeze through a one-foot space against the wall, slide the glass door open, and step inside.

A collection of men and women are sitting around and meandering about. A fold-out, veneer table to my left is covered in half-emptied bottles of hard liquor. Despite the age of the occupants attending this venue, the room décor was like that of a college party: plastic trashcans overflowing with bottles and trash, fold out chairs, crappy lighting, hotel carpeting – the works.

Everyone stops talking, looks over at us, then one of the older men tells me to close the door behind me. After I complied with his orders, we walked over to a huddled circle of seated people. The Giver of Orders, a kindly man who didn’t want to be assaulted by cigarette smoke, produced a black cooler bag. It was packed with local craft beer. Happy and grateful to have obtained free social lubricant, I quickly empty the bottle while somewhat awkward conversation happens all around me.

ravencon.png

Everyone around me has titles under their belt, or have contributed to the production of multiple books. I have no published works to my name. As an editor, I’m mildly successful considering I’ve not been doing it professionally for long. But this is a room full of established editors, authors, and publishers. So, I did what I do best: drink, listen, drink, respond, drink, nod, drink, and smile.

drinking buddies.jpgI don’t pass out a single business card – despite having them made for the convention – and I didn’t tell a single person who I was or what I was doing there. I just play the fly-on-the-wall game until we all said our farewells. Chris headed home, and I wandered off to my room. Later that evening, I thought about what a missed opportunity that was while I worked my way through the beers I had stocked in my hotel fridge.

Less than a week later, while I was in the safety of my own home, Chris sent an offer to publish a series J.R. Handley and I have been outlining called The Odera Chronicles. A few weeks later, he informed me a short story I had co-authored will be showing up in an anthology he is releasing in September.

This, for me, is the purpose of something like RavenCon. It’s not about judging the merit of the panels (or panelists), or pimping your books to a room full of disinterested people. It’s certainly not about gloating about your successes and comparing yourself to others. Sometimes, it’s about wandering around, meeting people, pool noodles, jumping fences, and drinking the occasional beer. It’s about being present and open to a strange adventure.

Author Page Sign Out

Copyright Info (final)

What are Plots? Understanding Episodic, Dramatic, Parallel, and Flashback

No Plot.jpg“What’s it all about?” “What’s the point?” If you’re a writer or reader, these are usually questions of plot. They could be the things we whisper in the dark before we sleep, too.

Anyways, moving along.

Let’s start this shindig with a basic definition. I pulled this one from The Making of a Story: A Norton Guide to Creative Writing, by Alice LaPlante (it’s one gigantic book, but a really great one). “So plot, as we will define it, is that series of events, arranged in a particular order, which brings about the desired final effect of a short story or novel” (p. 377).

Highfalutin folks People who have taken some creative writing courses (or read a few textbooks on the subject) will mutter about The Major Dramatic Question. To put it simply, the major dramatic question is the problem the author presents for their characters to deal with; it’s the same problem the reader is confronted with as they go through the story. After the story is finished, the reader should feel they have an answer, or solution, to this problem (even if the reader’s solution wasn’t the same as what you wrote, at least you got them thinking).

While the journey to answering this question is why readers read, as the writer, it’s often important to take a moment to ask yourself: “Just where the heck am I going with this? What issue am I presenting in this story? Does my ending solve this issue? Should it?”

Ignoring the plot is like foreplay without We don’t want to take our readers on an awesome journey and not give them a payoff of some kind. The plot ensures we stay on track. I’ve read/heard many different techniques for ensuring you achieve this goal. I’m sticking with the shortest and quickest ones I’ve found.

Crying Boy No Plot.jpgDon’t plot. Doesn’t get any quicker than doing nothing. Not what I would recommend, but enough people have read Steven King’s book, On Writing, to cherry-pick passages that indicate plotting goes against creativity (as if every writer is creative in the same way and one person’s recipe for success fits all). According to King, this sort of pre-planning ruins the organic process.

The reason I don’t recommend this is because it’s hard to overhaul a plotless book. These novels/stories stretch on forever, largely because the writer is simply writing without a goal of any kind. They rock back and forth and whisper, “The ending will come, the ending will come…” Bad news, sometimes, it’s not coming. Sometimes, you must have a somewhat realized concept of what the plot was to effectively close it out.

Side note. The lack of any sort of plotting and blind writing is not something I advocate or dissuade people from, generically. Every writer is different. Some can power through to a conclusion that makes perfect sense. Some will get lost in the middle and never find the end. Some advice shouldn’t be stone, it should be sand. So, shift your style to fit your person, even if your person shifts year-by-year.

Plot points. Unlike an in-depth plotting project where you write pages of discovery material, this is a page or two where you numerically number the major plot points in chronological order and cross them off as you move along. This gives you the freedom to connect those dots however you want, and even change them along the way. This provides the writer an endgame, even if the conclusion is in flux and changes as you close on it.

Mission Statement. One of the best and least time-sucky methods I’ve seen comes from the book, Writing Tools: 50 Essential Strategies for Every Writer, by Roy Peter Clark. He states you should take the time to draft a mission statement for your work. The mission statement, according to Clark, is a list of “I want” statements.

Examples. I want the hero to to lose his hero-status and die. I want to show space pirates have a heart of gold. I want to turn (insert trope) on its head. I want to show that kittens are superior to puppies.

These “I want” statements highlight what your goals are for the characters and conflicts in the story. They also can quickly become dramatic questions. Just replace I want with how do I. Suddenly you have a series of questions to answer with your writing. This allows you to be run wild with organic story telling, but also creates a loose set of guidelines to reel you back in.

Moving on.

There are four “main” types of plots out there. Honestly, there are more than four, but these seem to be the most common in current literature: dramatic, parallel, episodic, and flashback.

 

dramatic plot.jpg

An example of a dramatic plot. 

Dramatic Plots. This follows one main rising action to a climax, then tapers down to the end. Most of the book is spent establishing settings, characters, and conflicts. One main conflict reigns supreme, and the characters ride this action to a crescendo. There is a period of lull after this climax (called the denouement) where the reader gets to take a breather, then the writer closes the story.

 

Episodic Plots. These follow many actions or events chapter-by-chapter. The events stack, and are typically related by a character or theme. The goal with this sort of plot is to show a larger event, place, time, or idea from many different angles. Much like the namesake, many television shows are set up with an episodic plot. There are central characters and themes to drive the show, but “filler” episodes could be shuffled around without impacting the series much.

Serving Up Plots.jpgSome military fiction uses this style. Each chapter highlights a different member in the military, tackling a different aspect of the battle or war. Ultimately, these vignettes join to paint a much larger understanding of the conflict.

Parallel Plots. This form allows you to take multiple dramatic plots, usually two or three, and run them at the same time. Remember how the dramatic plot has a rising action that leads to a climax in the story? With parallel plots, the multiple arcs usually all crash together at the climax. Because the reader has followed multiple rising actions, they might be more emotionally involved in the climactic moment.

Flashback, flashback, flashback… This plotting device allows the author to start the story in the middle of a high-action point, and flash backwards to lead back up to it. Giving the reader all the backstory and moving them back to the high-action moment. The clichéd version of this is certainly the, this is how I died, intro. Of course, I should eat my words as one of the most talked about and controversial shows on Netflix right now is 13 Reasons Why. A show about a girl who commits suicide, and each episode it basically a flashback to events leading up to it.

thanksThat’s a wrap for today, thanks for reading! No matter what plot you go with, or if you’re going into the work plotless, you owe your readers that moment at the end of the book where they sigh, look up at the skies, and say, “I feel…something.” Let’s just hope that something is a positive connection, one that will keep them coming back for more. Until we cross quills again, keep reading, keep writing, and as always—stay sharp!

Copyright Info (final)

What is Deep POV? (Spoiler: It’s “Show Don’t Tell”)

 

Showing Versus Telling

Today I wanted to talk a little about the idea of “deep POV.” I’ve had a couple authors approach/email me asking questions about the concept. While I was familiar with the idea of point of view (POV) and how to sink deeply into it, I wasn’t uniquely familiar with that terminology. So, I did what I always do when seemingly new knowledge presents itself, I tracked it down.

Typing “Deep POV Books” in Amazon yielded many questionable (in regards to author credibility) self-help type books regarding deep POV. About ten books down on the list, I found some pretty interesting erotica. Scrolling farther down yielded even more eyebrow-raising search results. Anyways, that wasn’t the deep POV I was looking for…

I grabbed the two books (writing books mind you) that had the most reviews regarding the subject. The two books are the following:

While both books have some decent information, holy macaroni folks, deep POV is just show, don’t tell dressed up in new words. While the showing/telling song and dance is geared toward many facets of writing, this deep POV concept is geared toward characters.

*Sigh*

Deep POV.jpgThe marketing folks must by doing a river dance right now. There’s nothing like slapping lipstick on a well-used term and screaming, “I’ve uncovered a new gem! Whadayamean it’s the same as…oh…I see. Okay, one-line show don’t tell and write in deep POV!”

Regardless of how used the concept is, if you are unfamiliar with showing versus telling, or deep POV, just know the terms are basically interchangeable in regards to writing characters.

Here are some blog posts I’ve generated regarding showing and telling, if you need a quick fix. The quality of these posts, much like the quality of my brain, is questionable. Though, a few people have found them useful (the posts, not my brain…yet).

Tics and Tells to Show not Tell (talks about using character mannerisms in your writing)

Using Sensory Detail to Enhance Fiction (talks about taking advantage of your senses)

Show vs. Tell & Intensity Scales (talks about the concept and offers a tool to determine when to show or tell)

resourcesTo be honest, if you are looking for resources on deep POV, you would do well to simply search for solid writing books that have a chapter or so on showing/telling. The two books I listed in the beginning are a great start. S.A. Soule’s book is filled with examples, if that floats your literary boat. If I had to pick a couple of books to recommend on the subject, because you all know I eat my greens, I would point toward:

The Emotion Thesaurus: A Writer’s Guide to Character, by Angela Ackerman and Becca Puglisi (This book is simply jammed full of tips and examples of how to write believable, visceral character cues. Tackles 70+ different emotions. Great if you can’t deal with emotions…in your writing.)

Mastering Showing and Telling in Your Fiction, by Marcy Kennedy (Confused about the concept? Can’t find a blogger or source of information to solve the problem? Marcy Kennedy does a good job of clearing the fog. Also, this author states that telling isn’t always wrong, or bad, or bad-wrong. Indeed, telling had its place.)

That’s a wrap for today. Sorry to be away for so long; life has been busy (editing, writing, conventions, stay-at-home dadding, military spousing). As time opens up, I’ll spend a little more of it here. Shooting for a post a week here and on the author page, we’ll see if I can pull that off.

question markQuick question! What books or resources would you all recommend to tackle the idea of deep POV or show don’t tell? I’m always looking for more pieces of information to add to my library. Until we cross quills again, keep reading, keep writing, and as always—stay sharp!

Copyright Info (final)

The Legion Grows: Another Editor Reports for Duty

Red Pen of Doom.jpgMy back was against the wall. The grammar errors were all around me.

“I’m a developmental editor,” I said. “This grammar stuff is kicking me in the tender bits.”

“Fear not, Corey-the-human,” a voice sounded through the darkness. “The Wielder of the Red Pen of Doom is here.”

In a sick-ass flash of power and insight, Thomas, the mercenary copy editor, hacked the manuscript to shreds.

All was right in the world again.

In short, Thomas joined the Legion. Find out more about the mercenary proofreader and read his intro by clicking right here (the link will teleport you to the Human Legion website).

You can look forward to seeing our collaborative editing prowess on display in J.R. Handley’s next book in the Sleeping Legion series: Operation Breakout.

More of an update than an informative post today, but I have some how-to posts coming. I’ll be starting a new series tackling point of view, as this is the most common issue I seem to deal with in my editing work (also the item most people ask me about). Until we cross quills again, keep reading, keep writing, and as always—stay sharp!

Copyright Info (final)

Blogging: Building Your Platform

 

thor-with-leaf

Thor sorting leaves. He knows where to find the good ones.

It’s been too long since I’ve been able to update! I’m writing this post in my bedroom/office/box storage room. Yes, the prolonged move is taking forever, but I will be off to a new state and house by the end of the month. Fortunately (or unfortunately), that means you’ll be hearing a lot more from me in the near future. Oh, Thor is walking/running now…so yeah, busy times!

Today I wanted to take a moment to announce a milestone on the QE page. I’ve met and surpassed 1000 followers! Oddly enough, the last 200+ followers have come during a period of non-activity on my page [insert excuses: moving, baby, editing, writing, stay-at-home dad, military spouse].

So how did the blog continue to generate activity without me at the helm being proactive? I mean, does my blog even need me anymore? Has it gained self-awareness? I wish…

thanksBefore I get into the platform building section, let me say “thanks!” People talk about followers just being numbers. You’ll only make X number of sales from X number of followers. It all seems so impersonal. Speaking from my experience, I’ve received awesome emails from people checking in on me and the family, gained clients,  found collaborative writing partners, joined a Legion, uncovered fellow editors (key wielding clones), and I’m very humbled and appreciative of these relationships. Sales are one thing, meaningful relationships are something much more. So again, thanks for reading and coming back for more.

Building the BlogNow that I’m done gushing, let’s talk brass tacks.

I wrote a how-to post about blogging before: Blogging: What Works for Me. I wrote that post in July of last year when I had hit 400 followers. People were curious about my process, and I’m always happy to share. In it, I offered some tips about how to craft your writing and your activity to increase viewership. Towards the bottom of that post, I wrote a very short paragraph titled, Technical Mumbo Jumbo.  It seems some of that technical hoopla is more essential than I realized.

The technical aspects of your blog are what allow you to reach beyond WordPress and start generating views from search engines and other sources. In the last two months, where I only generated a few posts, those 200+ followers were likely due to me taking advantage of some of the features within WordPress. It’s also due to the type of content I ordinarily post.

Looking at my site analytics I’ve noticed a massive amount of views are being generated from search engines. This was planned. *maniacal laughter* Here are some ways to make your blog more visible outside of WordPress and gain more traffic.

evergreenWrite Evergreen Content. When I say “evergreen,” I’m talking about the shelf-life of the post. Some posts we write are author/editor/blogger/life update posts. For many, it’s a given you will want to reach out to your readers. “I’ll be here at this convention” or “Check out my new release.” There’s nothing wrong with that, it’s just that those posts won’t be the workhorses on your page. In terms of search engine visibility, unless someone knows exactly what to type, they likely won’t stumble into those posts. The workhorses are the posts that don’t have a fuse or timeline.

There is little chance someone who’s never been to or heard of this page will type into Google, “Quintessential Editor Barnes and Noble Rant.” There is higher likelihood someone might search, “the herald archetype.” Both of these searches will bring up posts from this blog on the first or second page of Google, but one (the archetype post) is far more likely to pull a reader because it’s a logical search term.

The Barnes and Noble rant was a needed outlet for me to express my disdain, but it has little real usefulness to people.  On the other hand, posts about aspects of writing are tools people actively seek out. While your blog may not be centered around writing, finding ways to write content with no shelf-life and high applicability is a good move.

Your Blog Headline is Important. I didn’t realize this at first, but after studying the stats on my page over the course of the last eight months, I can’t refute the numbers. Writing and publishing clever headlines makes me smile, but they have little application outside of WordPress Reader. In fact, they can make your content nearly impossible for someone to stumble into from the endless sprawl of the interwebs.

harry-potter-newspaperThink of your blog headline like an internet search term. While the blog headline may be clever and will snag fresh readers taking advantage of the WordPress Reader, after a few weeks or months it will be buried. Yes, people can utilize tags and categories to find your posts here on WordPress (if they scroll long enough). However, search engines are a much bigger ocean and require more precision.

For example, I wrote about how to anchor readers using setting. I wanted to use a really clever headline for the post. Instead, I went with the very bland Setting: Anchoring the Reader. If someone types in “how to anchor a reader with setting” or “anchoring a reader with setting,” this post is usually on the front page of most search engines. The words a person might use to find this information with a search engine can be different, but the headline contains most of the words they would use.

Know the difference between a category and tag. Tags are the golden ticket. Not only will they allow people in WordPress Reader to narrow down their search and stumble onto your content, it also factors into search engine results. If you couldn’t tweak your headline to nail the topic entirely, you will want to add those missing words, individually, into the tag. Also add tags that are applicable to the topic.

For this post, I’ll likely have [writing, blogging, how-to, advice, WordPress, headlines, understanding, categories, tags, fiction, non-fiction, Corey Truax, dad]. You’ll notice dad there, it seems WordPress dads are always looking for kindred spirits so I always leave a breadcrumb trail. If you’re an author/editor/business person, it never hurts to toss your cats-dressed-vintage-photo.jpgname into the tag of each post. The more posts out there with your name on it, the more likely someone doing an internet search of your name will stumble into your blog.

[Here be rumors and unsubstantiated banter] I’ve read that some users will flood the tag area of their webpage posts. So let’s say you write a post about knitting sweaters for kittens. Some people will copy and paste more than 100 related and unrelated words into the tag field hoping someone searches for a topic and walks into their trap. In my opinion — you kitten sweater knitting maniacs — that’s a good way to ensure an unwary person never returns to your page. I’ve also read that certain search engines will boot your post from their search results if the tag seems like spam. [Here ends the trail of kitten tears]

labyrinthCategories Keep People on Your Page. Categories are how you organize your page. We don’t want readers to feel like they are navigating a labyrinth. I started with five or six main categories. One of them was “Writing.” This was a mistake because it lumped too many posts of different types into one giant category. If someone clicked the Writing category, a massive list of blog posts popped up. Some may have been what they were looking for, some weren’t. I broke “Writing” down into more precise categories: Conflict, Setting, Description, Dialogue, and so on. When I did this, repeat views from a single reader skyrocketed. Alas, some people who came to the page didn’t care about every aspect of writing.

If categories are a new concept for you entirely, WordPress has a page dedicated to explaining what they are and how to make them work for you. Check it out here.

You can really take advantage of your categories by using the widgets included with WordPress. Widgets offer different options that display navigation tools. If you are unfamiliar with widgets, WordPress has a page for you here.

That’s it for today. The last bit of advice I’ll give is this, take the time to understand how to leverage the tools I talked about above. It’s heartbreaking to see people grinding away so hard and not getting readership. Especially when their blog page is how they generate business. Implementing these small tweaks will add two minutes to your process — at most. Those two minutes will ensure your webpage is easy to find, navigate, and use. And heck, maybe your page will achieve self-awareness.

question-markDo you have any tips that have worked for you? Do you understand the bizarre search engine algorithms? There a few more tools I have under my hat, but this post is already well beyond my 1000 word cap. If there’s enough interest, I can write another one with some extra bits of info. Until we cross quills again, keep reading, keep writing, and as always — stay sharp!

Copyright Info (final)

Wasteland Wednesday #7

*Language and Content Warning*

skull and crossbones.jpgskull and crossbonesUnlike QE’s normal informational blog, Wasteland Wednesday is potentially full of foul language and post-apocalyptic nonsense.

Wasteland Wednesday

 

It’s time for another edition of Wasteland Wednesday. Come and cuddle up next to the bonfire. Ah, don’t mind those inbreeder heads. I collected those to pay off some heavy writing debts I owe to the muse.

Anyways, I wanted to talk a little about the novella, The Wastelander Survival Guide, today. A very rough discovery draft has been hacked away and while I am working on the rewrites for the main book, the novella will marinate.

army combat manual.jpg

The novella features images similar to what a U.S. Army combat manual would have inside. It is also formatted much the same way. 

The concept for the novella stems from the world I have created. In the main book, Drake carries around a journal (you can see it in his back pocket in the final cover art for the book) and writes tips to survive the wasteland. This, he compiled at the behest of Lex. While he’ll never admit it, he enjoys keeping this journal and it has allowed him to elaborate on his wasteland “virtues.” To Drake, these virtues are what he believes will keep a person alive (it’s worked for him).

Each chapter of the main book is opened with a tiny excerpt from Drake’s journal highlighting a virtue. The book is written in a way that these “Drakisms” help drive the story. One of Lex’s secret hopes, is that there is life outside of Middle America. In her eyes, a book of how to survive the wasteland would be essential to anyone who delves into unsettled areas.

While she wouldn’t say this to Drake, her plan it to eventually inherit the book and find a way to reproduce it. Drake’s name has become legend in Middle America and she sees the potential to monetize/trade it in some shape or form. She also believes there is life outside of the wasteland. If this is true, such a guide would be valuable to an outsider.

She also wants Drake to compile this journal because she notices a drastic down-tic in his reckless tendencies when he takes time to organize and expel his thoughts. Lex knows that there is merit in Drake’s rantings. Despite the vulgarity and rough exterior, not many people make it to old age in the wasteland; Drake has almost made it to his sixties.

hourglass[Break in Timeline] 

Eventually, Drake’s journal does end up in the hands of someone in a “civilized” part of the world. They rewrite his journal and cast Drake as a romanticized folk hero. The rewritten version of the journal is reproduced as a survival guide for the expansionist movement into the isolated areas of the post-fall United States.

His “Drakisms” are recast as real-world virtues a potential settler should embody to combat the unknown dangers awaiting them. The chapters are very short, illustrated, and offer a very romantic look at how to survive the wasteland. Some portions are rewritten completely and deviate from Drake’s original writings.

I guess plagiarism and intellectual property rights aren’t a big thing in the post-fall United States…

The first book, Legacy of Drake, hints about aircraft flying overhead and unknown technologies making it over The Red (the area of seemingly impassable radiation) into Middle America. Perhaps there are other isolated pockets of people and inbreeders struggling out there? The wasteland might just be a bigger place than we realize, or it might be much smaller.

question-markThat’s it for today’s wasteland news!  I hope you all enjoyed this sneak-peak into Wastelander: The Drake Legacy and the Wastelander Survival Guide.  I’d love to know what you think and answer your questions (as long as the answer won’t be a spoiler-sandwich). Until we cross quills again, keep hiding, keep hoarding, and as always—stay alive.

Copyright Info (final)

Wasteland Wednesday #6

*Language and Content Warning*

skull and crossbones.jpgskull and crossbonesUnlike QE’s normal informational blog, Wasteland Wednesday is potentially full of foul language and post-apocalyptic nonsense.

Wasteland Wednesday

 

It’s time for another update from the Wasteland.  As the author, I’m pounding away on rewrites. If I can hold my pace, I should have it out to my alphas by the end of the month. When it goes out to my alphas, I’ll do the rewrites of the novella.

I‘m planning on finishing one of my more time consuming client projects here in mid-December (not a bad thing, just a bit of work), and when that happens I’ll pound out the discovery draft of the next book in the series. This next book will have whoever survives book one, moving north to face a bigger threat—and maybe even escaping Middle America. The Lost Word, mentioned last week, will play a larger role in the next book as well.

Today, meet Jim.

Name:  Jim

Age: 14

BackgroundFrom birth, Jim lived in a bunker. His father told him the outside world was a barren radioactive wasteland, and if they would leave the bunker they would die. Despite his isolation, Jim’s father provided him a superb education (even by pre-fall standards). This education was heavy in classic works of literature, language, and some technical skills like medicine and electronics.

When Drake meets Jim, his familial background is ambiguous. They meet “accidentally” outside of Stanley Station, which is a coal plant that was converted into a settlement.  Jim admits little about his father and family.  Outside accounts indicate Jim is an orphan that wandered into the station.

vegetables-italian-pizza-restaurant.jpgBasic Physical Description: The wasteland doesn’t provide salad bars, or all you can eat pizza, so Jim is a skinny boy. Acne has began to spring up among his freckles.  His eyes are described as bright blue, and his hair is shaggy and brown.  He is very pale—apparently the bunker didn’t have a tanning bed.

Personality: Jim is very clever and optimistic. This is likely a result of his education and lack of exposure to the wastes. With no “real” experiences to rely on, Jim often attempts to apply classic works of literature to things he experiences.  The boy is particularly fond of Treasure Island and sees Drake as swashbuckling pirate of sorts.

treasure island.jpgAs classic works of fiction are basically extinct, Jim references people, places, and things that most people have never heard of.  On the other hand, the most common of wasteland information is often a foreign concept to the boy.

Drake considers himself to be a master of manipulation and understanding what makes people tick, and Jim has managed to pull a few fast ones on him. In this way, Jim quickly endeared himself to Drake (thought Drake would never admit that).  Both Drake and Lex are very protective of children, and this cements him into the party—that, in addition to some wasteland happenstance.

When Drake looks at Jim, he imagines what his dead son Jonathon might have become.  When Lex looks at him, she sees the innocence she lost. When Preacher looks at Jim, he sees the future of the wasteland. Due to all of these points of view, Jim because a central character to the groups unity.

Abilities: Jim is clueless and vastly intelligence at the same time.  Especially in a time when most children, and even adults, are knuckle draggers in terms of brainpower.  This cuts both ways for the boy.  He is also a sponge, quickly picking up on information and training.  Drake notes that the boy learned the steps to effectively fire a pistol faster than some of the people he trained while he was in the military.

suture.jpgJim is also a whiz when it comes to first aid.  Drake owes his life to Jim’s fast action with a needle and thread.  Drake has noted Jim knows aspects about medicine that could have only been taught formally, not just picked up at random.

Motivation:  Jim’s motivations shift throughout the book. At first, he hears a story about Drake Nelson, who had rolled into Stanley Station.  Jim puts a lot of stock in stories and maneuvered himself in a way to be close to him.  Being naive, one motivation is to share in Drake’s adventure. This perhaps, as the story unfolds, wasn’t the best course of action.

Jim is also motivated by something higher, something even Drake can’t put his finger on. To Drake, Jim seems to be running away from something and toward something else at the same time.  Preacher seems to believe Jim is the future of the wasteland…which to Drake is the kind of idiotic rantings he would expect from someone like Preacher.

Jim is driven to prove he isn’t just some dumb kid.  While he knows he is probably the most intelligence kid out there, he understands there is a lot of things he is ignorant of.  Any opportunity he gets, he attempts to prove himself and his worth.

 

Sig-mosquito.jpgEquipment:  Jim, much to his horror, is largely Drake’s pack mule.  The boy bears a heavy burden, literally. He is a novice with the pistol Drake acquired for him, a Sig Sauer Mosquito, but becomes more and more proficient with each passing firefight.

Author’s Note: I say this for all of my characters, but Jim is one of my favorites. He is comic relief, a source of bonding, and has a natural way of cutting through characters and revealing their motivations.  For Drake, Jim’s character reveals his humanity to the reader.  It also acts to tie Drake back to the person he was before the fall, when he had a little boy named Jonathon. I also like how dynamic Jim’s character is.  His arc is very rewarding and there are a lot of important plot points tied to his evolution and growth.

question-markThat’s it for today’s wasteland news!  I hope you all enjoyed this sneak-peak into Wastelander: The Drake Legacy.  I’d love to know what you think about Jim.  Until we cross quills again, keep hiding, keep hoarding, and as always—stay alive.

Copyright Info (final)

 

%d bloggers like this: